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twenty questions

September 9, 2015

one. given the choice of anyone in the world, whom would you want as a dinner guest? rainbow rowell.

two. would you like to be famous? in what way? i want to write one book that resonates with at least one person. if it takes being famous for that to happen, so be it.

three. before making a telephone call, do you ever rehearse what you are going to say? why? it depends on the situation; usually no, but i've that whole can't-talk-to-people thing, so...

four. what would constitute a perfect day for you? right now, i'd be content with a day where i'm not telling myself god, you're ugly first thing in the morning or look at how fat you've gotten; it's disgusting while i'm getting dressed or you're so stupid while i'm at work. if i could have a day where there's no hate in it--from within or without--that'd be a beautiful thing.

five. when did you last sing to yourself? to someone else? today. i can't remember.

six. if you were able to live to the age of ninety and retain either the mind or body of a thirty-year-old for the last sixty years of your life, which would you want? the body. i'm perfectly fine with getting alzheimer's. but not being able to walk would suck. i know, because i've had knee reconstructive surgeries. that pain's a bitch.

seven. do you have a secret hunch about how you will die? nope.

eight. for what in your life do you feel most grateful? i didn't have to watch alcoholism take my brother over a period of several decades. it was quick. and a few months before he'd died, i'd found a way to love him again; i hadn't been able to do that for a long time.

nine. if you could change anything about the way you were raised, what would it be? we wouldn't've moved so much.

ten. if you could wake up tomorrow having gained any one quality or ability, what would it be? affability.

eleven. a crystal ball could tell you the truth about yourself, your life, the future or anything else, what would you want to know? that a man could love me; that i could love him.

twelve. is there something that you’ve dreamed of doing for a long time? why haven’t you done it? writing this stupid book i've been screwing with since college. because it's not an easy thing to do.

thirteen. what is the greatest accomplishment of your life? i'm still here.

fourteen. what do you value most in a friendship? humor.

fifteen. what is your most treasured memory? christmas eve morning, when my older brother came home after a binge that nearly killed him. we'd assumed we weren't going to see him. my mother was convinced of this. i'd happened to be coming down the stairs just as he'd gotten to the front door. i let him in the house. he looked broken. i'd never seen him like that before. i'd never seen him as weak. i knew he was, but i'd never seen it. i stopped hating him that day. ironically, that's the best christmas present he could've given me.

sixteen. what is your most terrible memory? playing with the boys in my adolescence.

seventeen. if you knew that in one year you would die suddenly, would you change anything about the way you are now living? why? if you count taking a month off to go on a road trip of the southeastern coast as changing life, then yes, i guess. otherwise, no.

eighteen. what does friendship mean to you? listening, laughing, leaning and letting one lean. just being there... good AND bad.

nineteen. when did you last cry in front of another person? by yourself? yesterday. today.

twenty. your house, containing everything you own, catches fire. after saving your loved ones and pets, you have time to safely make a final dash to save any one item. what would it be? why? the bulletin board of pictures of my older brother that mom and i made for his memorial here. because that's pretty much all i have left of him.

what would your answers be?

random, but not the quarter kind

August 24, 2015

this is one of those posts that i'm doing because i feel like i should post something, but i really don't have anything to say...

the random quarter posts began for this very reason. but i already did one this month. i can't do another one.

so i guess i'll just tell you about what's been going on with me.

my great aunt passed away two weeks ago.

i missed her granddaughter's--my godsister's--wedding that following weekend because the booking company my mother used screwed up our tickets. i could've spent saturday in san diego (bummer).

she got a voucher for their error for less than half the value of the two tickets. she let me use it. it's not easy, using one of their vouchers. it's not like you can go to their website and book the flight yourself and enter some code. you have to call. you have to spend three hours of your time confirming the flight details with a dude who can barely speak english, only to find out that he screwed your flight up, too. so for a second there, i was going to go to north carolina for a week in november (YAY!). but the idiot booked the flight for november first rather than november fourth (fucker). and i can't take ten days off work. at least i'm pretty sure i can't. i've asked my boss. she didn't seem too eager, but she'd said she'd ask.

me, my munkle and the red truck

my family went to utah this past weekend to see my munkle (for those of you new here, my great uncle--one of several older brothers to the great aunt who recently passed and the only brother left alive--is a monk). i did not get to go. part of me is bummed about that. in forty-two summers of going to utah, i've only missed two. part of me is just like my great aunt--not too keen on watching a loved one leaving. and he will be leaving, and soon. i know it. i know it. he walks with two canes now, relying very heavily on them both. from what my parents and brother have said, he's not all there--he's not quick-witted; he'll have conversations with my mother where he'll talk to her about her, like she's someone else. his hands don't work. he's a carpenter, my munkle. he makes the most beautiful things. the fact that he can't make his hands do the making is a source of great contention for him. understandably so. but mostly... what i remember most is the way his face beamed with pleasure and how fiercely he would hold on to me, his arms so much like the carpenter's vise. i don't want to see his face if i can't see it the way it's always been. i don't want to hug him if he can't hug me the way he's always done.

i've been working on five stories. one of them is about a woman and the efforts she's made to raise awareness for the fatal, degenerative, genetic disease that's plagued her son for seven years.

and i have friends who are very sorely troubled by life at the moment.

i need a light. has anybody got one?

. . .

and of course, moments after i post this... browsing my facebook feed, one of my friends had posted this hours before, and i only just now saw it:

you will be nowhere tomorrow where god hasn't been (max lucado).

that's a pretty good light.

random quarter: the q&a edition-august

August 10, 2015

one. do you need a cold shower? no.

two. describe the room you're in right now. office. gray walls and carpet.

three. what do you lie about? lots of things. hello? writer.

four. when was the last time you were on an airplane? july sixth of this year.

five. today you destroyed a box of club minis.

six. who are you? a modern-day miss brill.

seven. what was your last great meal? babin's halibut with lump crab.

eight. write down your last sent text message. you're pretty wonderful, as well.

nine. what are you running from at this moment? wellness.

ten. how many stamps are on your passport? no clue.

eleven. what is your resolution for tomorrow? get through the day.

twelve. what is your favorite thing to do on a saturday morning? sleep.

thirteen. what do you like best about your body today? the freckle on my heel.

fourteen. my body and my brain really bothered me today.

fifteen. in a hundred forty characters or fewer summarize your day. work, errands, shower, play, sleep.

sixteen. what can't you forget? all the ways i've failed.

seventeen. what would you like to tell your father? shouldn't be proud of me.

eighteen. what's the best part of your life right now? job. nights and weekends off.

nineteen. what did have for dinner? six chic-fil-a nuggets and water.

twenty. do you make enough money? yep.

twenty-one. did you complete your to-do list for the day? didn't have one... so, yes?

twenty-two. what question (or questions) do you love to answer? the ones in this book.

twenty-three. what's your favorite piece of clothing? this shirt.

twenty-four. write your recipe for creativity. pour madness into bowl. stir.

twenty-five. when was the last time you worked out? no clue.


motion picture monday

August 2, 2015

one. the blind side.
released: 2009.
starring: quinton aaron, sandra bullock, tim mcgraw.
what makes it awesome: sandra bullock got that oscar for it. but really? michael oher's story's a pretty remarkable thing.

two. cinderella man.
released: 2005.
starring: russell crowe, renee zellweger, paul giamatti
what makes it awesome: paul giamatti got that oscar nomination for it. but really? james j. braddock's story's a damned remarkable thing. also, i really liked russell crowe in this movie. the trailer still gives me chills, and i've watched this movie dozens and dozens of times.

three. draft day.
released: 2014.
starring: kevin costner, jennifer garner, chadwick boseman.
what makes it awesome: not kevin costner. not by a longshot. but the cinematography's pretty nifty, and the story's good.

four. fever pitch.
released: 2005.
starring: jimmy fallon, drew barrymore, kadee strickland.
what makes it awesome: jimmy fallon. love that man.

five. for love of the game.
released: 1999.
starring: kevin costner, kelly preston, john c. reilly.
what makes it awesome: now here, costner does good. this is my favorite of his films, hands down. i also love kelly preston in it. this of my favorite of her films, hands down. and the story, yall, is SO, SO good. i love how well-constructed it is. i love how it mixes past and present, and how the past has such a huge influence in the outcome of one game. i love the opening credits. if you haven't figured it out yet, i am a HUGE film geek. i love watching a story start to unfold, and when it's done well, like it is here--with the perfect music and the characters slowly coming into focus... it's just neat. this is a really good movie. almost makes me like baseball.

six. miracle.
released: 2004.
starring: kurt russell, patricia clarkson, noah emmerich.
what makes it awesome: the history. the music. the cast. the opening credits--they're the best ones i've ever seen. but dear god, yall... the story. the triumph.

seven. seabiscuit.
released: 2003.
starring: jeff bridges, tobey maguire, chris cooper.
what makes it awesome: can't stand tobey maguire. can't STAND him. never really been a fan of jeff bridges, either. or chris cooper for that matter. but they're so, so good here. it's a long movie, plodding along at times--but i think that's the point, considering the world was barely plodding along when this story took place. considering that the characters, when their paths cross, are so broken and lost. the music's pretty. the trailer still gives me chills, and i've watched this movie dozens and dozens of times, too.

the fall film challenge: my list

August 1, 2015


one. any set in new york city. the intern.
two. any incorporating hot air balloons in the story. up.
three. any that features a child as the main character. stand by me.
four. any disney film. brave.
five. any set in egypt. raiders of the lost ark.
six. a close friend or family member's favorite film. 
seven. any with the word great in the title. oz the great and powerful.
eight. any starring harrison ford. american graffiti.
nine. any that features an idiot as the main character. a fish called wanda.
eleven. a film about a knight. gladiator.
twelve. a love story. the duff.
thirteen. a movie about something miraculous. cinderella.
fourteen. a film starring an actor/actress with the same first name as yours.
alexander and the terrible, horrible, no good, very bad day.
fifteen. a film about the olympics. without limits.
sixteen. a film on time magazine's list: the top ten newspaper movies
seventeen. a movie with a question in the title. dude, where's my car?
eighteen. any film with a score of ninety percent or greater on rotten tomatoes.
how to train your dragon two.
nineteen. a film about a superhero. avengers: age of ultron.
twenty. any film with subtitles. amour.
twenty-one. any incorporating unicorns in the story.
harold and kumar escape from guantanamo bay.
twenty-two. a film about a personal victory. big eyes.
twenty-three. a film with black or white in the title. black mass.
twenty-four. any set in a country you would most like to visit. woman in gold.
twenty-five. a film set in a zoo. fierce creatures.

take the challenge! click here for details.

the fall film challenge

July 31, 2015


begins one minute past twelve a.m. september first / concludes midnight november thirtieth. you may NOT use a film you have already seen, even in part (excluding trailers), for this challenge. all films MUST be new to you. each film chosen for the challenge may be used ONLY ONCE, i.e. a film used for the something miraculous category may not be used for the personal victory one as well. all films selected for the challenge MUST have a page on the internet movie database. films can be viewed in the theater or at home, but all films must have (had) a theatrical release; made-for-television movies are not eligible.

the first three people to complete the challenge prior to november thirtieth will each receive a redbox gift card valued at twenty dollars. the one person to accumulate the most points at the contest's conclusion will receive an amazon gift card valued at fifty dollars. each film is valued at ten points, yielding a total points of two hundred fifty. details of a bonus round will be revealed october fifteenth. 

to participate, you must be a member of the fall film challenge facebook group. once you have joined and chosen your films to fit the below categories, post your list to the group's page or email it to criticalcrass at me dot com so that i may add your selections to a master list. only those who have submitted lists to me are eligible for the prizes. 


one. any set in new york city. 
two. any incorporating hot air balloons in the story.
three. any featuring a child as the main character.
four. any disney film.
five. any set in egypt OR that has an egyptian character OR that stars an egyptian actor/actress.
six. a close friend or family member's favorite film.
seven. any with the word great in the title.
eight. any starring harrison ford.
nine. any featuring an idiot as the main character.
ten. any mentioned in levis strauss' list: denim in the oscars: a look at jeans in cinema.
eleven. a film about a knight.
twelve. a love story.
thirteen. a movie about something miraculous. 
fourteen. any starring an actor/actress with the same first name as yours.
fifteen. a film about the olympics.
sixteen. a film on time magazine's list: the top ten newspaper movies.
seventeen. any with a question in the title.
eighteen. any with a score of ninety percent or greater on rotten tomatoes.
nineteen. a film about a superhero.
twenty. any with subtitles.
twenty-one. any incorporating unicorns in the story.
twenty-two. a film about a personal victory.
twenty-three. a film with black or white in the title.
twenty-four. any set in a country you would most like to visit.

motion picture monday

July 26, 2015

released: 2002.
starring: hugh grant, rachel weisz, toni collette.
what makes it awesome: i really liked hugh grant's character in this movie. and the story's good.

released: 2006.
starring: meryl streep, anne hathaway, stanley tucci.
what makes it awesome: meryl streep and stanley tucci.

released: 2009.
starring: jennifer aniston, jennifer connelly, bradley cooper.
what makes it awesome: over all, it's not. but there are scenes, usually those involving jennifer aniston's and jennifer connelly's characters that i love.

four. hitch.
released: 2005.
starring: will smith, kevin james, eva mendes.
what makes it awesome: kevin james.

released: 1992.
starring: joe pesci, marisa tomei, lane smith.
what makes it awesome: joe pesci's finest work. also marisa tomei does good, too.

released: 1989.
starring: sally field, julia roberts, tom skerritt.
what makes it awesome: the cast, especially sally field--best ensemble in a film EVER. and the script is flawless.

seven. trainwreck.
released: 2015.
starring: amy schumer, bill hader, lebron james.
what makes it awesome: i have never loved a judd apatow film until this one. yes, it's hilarious. but it's got so much heart, too.

random quarter: the q&a edition-july

July 25, 2015

one. should you trusts your instincts? nope.

two. who do you miss the most right now? minn.

three. today you wore maroon, striped polo, jeans, flip-flops.

four. what was the last fruit you ate? honeydew melon.

five. what do you feel most grateful for today? watching sunset at lake woodlands.

six. how many cups of coffee did you drink today? none.

seven. did you exercise today? nope.

eight. the best hour of was sunset. why? because it's summer in texas.

nine. what was the last personal letter you received? thank you note from natalie.

ten. what's the last movie you saw in a theater? trainwreck.

eleven. when was the last time you cried? today.

twelve. what was the last beach you went to? coligny beach at hilton head.

thirteen. are you wearing socks? nope.

fourteen. what was the last road trip you took? austin in november.

fifteen. today were you a wallflower or a social butterfly? wallflower.

sixteen. on a scale of one to ten, how healthy are you? three.

seventeen. what makes you miserable? lack of faith, i suppose.

eighteen. what makes a good friend? consideration.

nineteen. what is your favorite thing to do on a friday night? watch movies.

twenty. is something in your way? yes. can you move it? no.

twenty-one. something that made you worry today? the wonder twins.

twenty-two. what's your favorite gadget? my mac.

twenty-three. what makes you cynical? life.

twenty-four. what's the last meal someone cooked for you? chicken, beans, potatoes and melon.

twenty-five. when's the last time you had pizza? last saturday. what kind? california pizza kitchen's blt.

would that we could find a way to silence it

July 19, 2015

in my facebook feed this morning, i came across a post about an ou daily op-ed which claims that nude bras, band-aids and cosmetics advertisements are racist.

half the country's in an uproar because espn gave the arthur ashe courage award to caitlyn jenner.

south carolina took down the dixie flag because it's racist.

heads up, people, this is the confederate flag:

this is the one that shouldn't be flown anywhere. ever. 

and as a friendly reminder, the emancipation proclamation only freed the slaves residing in union-occupied territories of the south. the north could keep all theirs. it was a brilliant tactical move by president lincoln to help end the war quicker. a war, by the way, that was not about slavery. 

let me say that again: it was NOT about slavery.

it wasn't about people in chains, thought it damned well should've been. it was about states thinking they were better than the country and that they shouldn't have to be so regulated by the national government. it was about rebellion and ego and greed, and the self-righteous south lost because they didn't have the industry, thereby the money, to perpetuate the war they started.

the flag that is being hated upon by so many right now is the battle flag of confederate general robert e. lee.

because it has been tied to the domination and subjugation of a people for so long, people see red when they see it: they're angry because a symbol of what made the southern culture good is being desecrated by those who see it as a symbol of what made the southern culture bad. 

let me digress for a second...

i'm not the best at communicating, which is a horrible source of contention for me. i hate feeling so powerless. and i am. when i can't find the words to say what i want and need and think, when the only time i can raise my voice is when i'm sitting at a desk pounding on some keys, i am reminded of how much i lack.

yesterday, i took my car to get the tires rotated and balanced. i had tried to do this last weekend, but they were too busy, and i didn't feel like waiting, so i made an appointment to come back. when i got there, the guy started telling me something like well, you've not brought this car in before, and... it was the same thing i'd heard the week before. that guy was much more helpful, though. when this guy said it, he sounded like he only took care of customers who'd been there before. i just wanted the tires rotated and balanced; i'd made my appointment. i was late for it (and i was feeling guilty for that), but only by four minutes (so not that guilty), and i'd had to wait another ten to even be acknowledged by the staff because they were so busy. i'd begun to think that perhaps because i was late, they'd given my time to someone else. so i was perturbed by his can't do attitude and my tardiness. and i was short with him because of it. i managed not to cuss (hooray!). but he had to act like i had cussed him out, which annoyed me even more. but eventually, we came to an understanding.

i'd decided that while the tires were being tended to, i'd go get the man a drink. (it's fucking hot here right now, and he's working in it, in a hotter garage.) he wanted blue powerade.

so i go to the gas station and get it. and i'm standing in line, and this guy behind me is standing too close for my comfort. at first, i find a way to cope--i turn my back so that i'm looking out at the shelves of products and am leaning against the cash counter. i can see better this way. i have a better comprehension of the room, of the space. but i'm still anxious.

when it's my turn to pay though, i have to turn back round. so now, i can't see the floor because of the counter and because the register in operation is close to the station's door and because the man is standing too close. i have to see the floor in my peripheral or i lose all concept of the space in which i stand.

to put this in ways yall might better understand, this scenario would be like yall standing right in front of a movie screen with people on either side of you. 

everything is much too close, and you feel trapped.

the attendant's trying to ring me up, and she's telling me that the gatorade's on special and asking if i want that instead, but all i can think is get the fuck back.

i turn to him and ask, in the kindest voice possible, please don't stand so close to me.

his reply is that he's not standing too close.

i tell him that he is. 

he says that there's three feet between us. 

i don't understand three feet. that number, that measurement means absolutely nothing to me unless i've got a ruler in my hand. i should start carrying measuring tape in my bag.

i'm quite positive, though, if i were to reach out, i could touch him and my arm would not be straight. that's my bubble, folks. that's how big it is. if i can extend my arm completely and not touch you, i'm great. i understand that this means my personal bubble is huge, and probably unrealistic, but it's what i need to function without enduring panic attacks.

(i just measured three feet; there's no way there was that much room between me and him. i know this because my arm isn't three feet long. i'd venture a guess that there was barely a foot between us.)

he's reluctant to move and is being a dick about it, so i look to the attendant and tell her to ring him up. i step back, far away from him and gesture for him to go ahead as i do so.

and the guy's raised his voice now and is insisting that three feet's plenty of room, and i've raised mine and am yelling that i have no concept of that because i have no depth perception--

and yes, i know. those words, no depth perception, are as incomprehensible to many of you as three feet generally is to me. but i don't communicate well, remember?

as that guy's leaving, the guy behind him says, don't sweat that, man.

like the guy's in the right.

that pissed me off, too, because in my mind, all the first guy had to do was take one step back. if he'd done this, he wouldn't've been offended for whatever reason, i wouldn't've lost my temper with him and the other guy, whom i'd said was as much of a dick as the first guy was, i wouldn't've had the panic attack and been so frustrated that i'd cried in a public place. something that should've taken five minutes took twenty because i had to wait for everybody else to go, for the store to be empty of customers before i could approach the counter again. the attendant wouldn't've had to have to stop her work to calm my overly-sensitive self down.

maybe he was in the right. maybe i should've just found a way to endure the trapped sensation long enough to get my shit and go. it certainly would've taken less time. i could've gone outside after and stood there breathing in the air of the open space.

the point is--and i'm including myself here, folks... i certainly don't mean this to sound preachy, and i am most assuredly not without fault--all this is is hate.

all of it.

i hated that the man was so insensitive. he hated that i'd made such a big deal over three lousy feet. i hated that i'd lost my temper and made myself a spectacle... again. i hated that he couldn't take one step back. i hated that to feel better about the interaction i'd had with the attendant at the tire shop, i had to go buy him a beverage. that's not to say i minded doing it. i like doing nice things for people; i'm a firm believer that it's the right thing to do. but i don't like that i do them to assuage feelings of guilt and inadequacy.

i hate that the other night, after having watched trainwreck, as i left the theater and battled my way through the throngs of people to get to the bathroom and then the elevator, that i had another panic attack on the way to that elevator and was pressed up against the wall for much of the walk toward it. i hate that when a woman stopped because she was concerned for my well-being and asked if she could help, i very much appreciated the kindness but, because of her closeness and the throes of that attack, the only words i could muster were, you can move.

an african american woman hates that a bra, called nude, isn't nude for her, that stores don't stock enough bras that would be construed as nude for her skin type. that band-aids aren't. that, to her way of thinking, cosmetics advertisements only feature white women.

society hates a flag because it represents something ugly. and the re-runs of a popular television show have been pulled because the characters in it drive a car called the general lee that's painted like lee's battle flag.

an olympian's been given an award for courage because she has owned who she is, finally, and people have to belittle this because, to their way of thinking, that's not courageous. i read a post on facebook yesterday in which a man says that forty percent of the transgender population has attempted suicide, and that if even one person is saved from that because of caitlyn jenner, he'd call that a victory. he'd call it heroic. i concur, sir.

it's so easy to be ugly to each other. it's so easy to take up arms against each other and use such simple tools, like bras and band-aids, to do the wounding and the maiming. it's so easy to do this and then hide behind the first amendment and its privilege of free speech, as if it can justify that hatred and ugliness.

all any of this has done is feed the monster of animosity in each of us.

harry potter and the sorcerer's stone

July 18, 2015

why i wanted to read it: oh, i didn't. when this novel was published nearly two decades ago, i was a scanning technician at a printing company in houston. not long after, i changed jobs, choosing instead to work as a bookseller for borders. i seem to recall management having to go to sam's club and purchase additional copies of one of rowling's books because the store hadn't ordered enough. i can recall balking, with great success for a significant period of time, against reading any of these novels.

and then i rode with my mother to see finding nemo. and she was listening to harry potter and the order of the phoenix, and i was hooked. i borrowed all of her audios. i bought all the books. i've read them repeatedly. why have i read it again? because rowling has said that the story is a delusion created by ron, a statement which i wish had not been said. because i'm curious to imagine ron having said delusion, but more, i'm missing richard harris as dumbledore, and in reading it, i can imagine him again (which is sometimes better than seeing him on the screen). anyway. why have i read it again? because it's nifty, i tell you.

what i liked: the first page is beautiful...

mr. and mrs. dursley, of number four, privet drive, were proud to say that they were perfectly normal, thank you very much. they were the last people you'd expect to be involved in anything strange or mysterious, because they just didn't hold with such nonsense.

mr. dursley was the director of a firm called grunnings, which made drills. he was a big, beefy man with hardly any neck, although he did have a very large mustache. mrs. dursley was thing and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbors. the dursleys had a small son called dudley and in their opinion there was no finer boy anywhere.

the dursleys had everything they wanted, but they also had a secret, and their greatest fear was that somebody would discover it (p. 1).

"can't stay long, mother," he said. "i'm up front, the prefects have got two compartments to themselves--"

"oh, are you a prefect, percy?" said one of the twins, with an air of great surprise. "you should have said something, we had no idea."

"hang on, i think i remember him saying something about it," said the other twin. "once--"

"or twice--"

"a minute--"

"all summer--"

"oh, shut up," said percy the prefect (p. 96).

harry learned that there were seven hundred ways of committing a quidditch foul and that all of them had happened during a world cup in fourteen seventy-three; that seekers were usually the smallest and fastest players, and that the most serious quidditch accidents seemed to happen to them; that although people rarely died playing quidditch, referees had been known to vanish and turn up months later in the sahara desert (p.181).

"there's no need to tell me i'm not brave enough to be in gryffindor, malfoy's already done that," neville choked out (p. 218).

"you know how i think they choose people for the gryffindor team?" said malfoy loudly a few minutes later, as snape awarded hufflepuff a penalty for no reason at all. "it's people they feel sorry for. see there's potter, whose got no parents, then there's the weasleys, who've got no money--you should be on the team, longbottom, you've got no brains."

neville went bright red but turned in his seat to face malfoy.

"i'm worth twelve of you, malfoy," he stammered (p. 223).

out on the stone steps, harry turned to the others.

"right, here's what we've got to do," he whispered urgently. "one of us has got to keep an eye on snape--wait outside the staffroom and follow him if he leaves it. hermione, you'd better do that."

"why me?"

"it's obvious," said ron. "you can pretend to be waiting for professor flitwick, you know." he put on a high voice. "oh professor flitwick, i'm so worried, i think i got question fourteen b wrong..." (p. 269).

"so light a fire!" harry choked.

"yes--of course--but there's no wood!" hermione cried, wringing her hands.

"have you gone mad?" ron bellowed. "are you a witch or not?" (p. 278).

 what sucked: nothing.

having said that: i love this story. read it if you not. read it again if you have.

saturday spotlight: texas sentinels foundation


the texas sentinels foundation was founded eight years ago by richard and jean filip of the houston area to provide wounded warriors from september eleventh, two thousand one and beyond homes, financial stewardship, counseling, job placement and more. richard filip, who served in the army, and his wife established the organization because so many of their friends had family members coming home from iraq and afghanistan physically and/or mentally traumatized from their service.

since its inception, texas sentinels have provided a number of debt-free, mortgage-free homes to men and women who have sacrificed.

the most recent home was dedicated to sergeant greg dotson, an army combat medic with six daughters, all under the age of ten. dotson served two tours in iraq and saved more than one hundred sixty lives on the battlefield. 

the dotson family with texas sentinels foundation's founders, richard and jean filip.
photo courtesy of texas sentinels foundation.
the foundation's executive director, lieutenant colonel susie barlow, said dotson, "didn't think he deserves a house because he couldn't save everybody, and so he didn't think any goodness should come his way." 

one of dotson's daughters peers at the crowd gathered at the home dedication ceremony during the flag presentation. photo courtesy of texas sentinels foundation.
after the world trade center collapsed, staff sergeant mike burns felt inspired to join the armed forces. he'd intended to serve two tours as an m.p., but his first was cut short due to injuries. he was living in phoenix, arizona with his wife and four children in a deer-lease trailer that had no air conditioning or hot water. he was sleeping in a chair and confined to a wheelchair. his wife and children were sleeping on a mattress on the floor. when the foundation learned of the family's plight, they relocated them to texas, paid for a rental home for a year and the furnishings for it while the family's new home was under construction.

the burns family at their home dedication ceremony. photo courtesy of texas sentinels foundation.
army specialist jeramie green takes a break from physical therapy to visit with his daughter.
photo courtesy texas sentinels foundation.
the next home will be awarded in september to army specialist jeramie green, a man who has had seventy-four surgeries and is still at walter reed in bethesda.

the foundation is at work building its nineteenth home. to learn more about the services it provides and those it has helped, visit texassentinels.org.

finding paris

June 26, 2015

why i read it: because my senior english teacher wrote it.

what i liked: sometimes i think people do things only because they're afraid of not doing them (p. 32).

my sister is not in le reception. she is not in front of le central lobby bar. she is not at le theater or les toilettes she is not lined up on the fake french cobblestones under the fake french streetlamp waiting to beat the breakfast rush at le buffet, observing the fake night sky that's painted on the fake french ceiling.

"where the fuck are you?" i mean to keep this in my head, not shout it out, but that's exactly what i do. 

one of the guys at le reception leans over the counter and asks if we need something.

"looking for my sister," i say trying to keep my voice even while my pulse zips race-car fast. i describe her to him.

"what's her name?" he asks. actually what he says is, "what eez her name, mademoiselle?" which i think eez taking zee whole thing too far (p. 69).

we used to live in l.a. everything was near the water, more or less.

were we happy there?

sometimes.

like the day paris and i wandered this flea market in venice and i found tiny tim on a table next to a pile of coach knockoffs and she found this red leather wallet with a plastic strip of pictures of people we didn't know. at home later, she cut their faces out with a small, pointy silver scissors so she could use them in her art: a middle-aged man in a suit and tie; an old lady wearing a white wool hat with a pom-pom on top; two kids--a boy and a girl--standing on the edge of the ocean. which i thought looked weird. 

but we were laughing, and she pasted the lady with the pom-pom onto the upper branches of this tree she'd drawn with charcoal pencils and i dusted off tiny tim's bony clavicle, and it was one of the moments you have with the people you love where you don't need to explain how you are. they just know.

if that was happy, then we were.

but so what? (pp. 99-100).

what sucked: nothing, really. i marked some pages that had struck a chord or whatever at the time of reading that didn't strike it so well upon review. that's really all i've got.

having said all that: it's the first of her novels i've finished. well-developed characters; well-developed plot. a quick read. i've picked up a number of books since the start of the year; this is the only one so far that has inspired me to read it cover to cover. i liked it, and i'm not just saying that because she was my teacher.

thankful thursday / the good in my day: may

June 11, 2015

watching  bambam's t-ball game. the family picnic in the park. the drive home from baker street one evening: i managed to time it just right so that the sun was right above the tree tops and the sky was blushed and golden and the clouds were a dusty lavender; i had the windows down and the music up (the cult's she sells sanctuary); i love coming home at this time of day because the neighborhood's so green and peaceful. the note i got in the mail. the parking spot i got right in front of baker street. june. crystal. catherine. kristie. yucatan taco stand. the scavenger hunt with jenn and shazam. bambam. jason's deli's chicken noodle soup and chocolate frozen yogurt. joseph, jenn, rob and katie. asshole. the judge. in a three hour, GODAWFUL thunderstorm (worst i've ever heard) that seemed to park its punk ass over my lil part of southeast texas for the WHOLE of those three hours, the power only went out once, and for less than a minute. in the next night's storm, which was shorter but sounded nastier than the one before with a helluva lot more lightning, the power never went off once. the house didn't flood. king-sized beds. the longhorn. fried chicken. green beans. mama. daddy. steffey. nights and weekends off. rediclinics. heb. melissa. sur la table.


days like these

June 3, 2015

there's an elderly man who volunteers as a crossing guard at one of the schools here in the area. he's in his eighties, i believe, and has terminal cancer. he won't live past the summer.

the staff at the school are throwing him a retirement party tomorrow.

i know about this because a woman called the office today wanting to give us information that we might publish in the paper.

it was a busy day today. i didn't have time to chat, so i gave her my usual spiel: send me the information, and i'll forward it to our editorial team. when she asked what kind of information, i told her as much as she'd care to share, but if it's for an event, i need to know when and where it takes place and the best person to call.

this is when she got my attention. this is when she told me about the man.

and when i got off the phone with her, i cried. thank god the office was empty.

now it may be this man's lead a full life, one with much love and laughter in it. but the storyteller in me can also imagine a bleaker, lonelier, emptier alternative: that he's just some old guy, a crossing guard and not that many people would notice his absence; how beautiful it is that these people are celebrating his life this way.

when i got home, i fixed dinner--a bowl of oatmeal with probably too much milk and butter--and read some of joy preble's latest, finding paris (which i'm liking, by the way. yall should read it). and then i took a shower, put some comfy clothes on and went outside for a bit to admire all the green.

it hasn't rained here in two or three days. everything is beautiful. and it was sunset, my favorite time of day.

there's a spot in the plot of land across from our house where nothing grows because i've parked my car there much too often. a long, long time ago, in addition to that spot were two strips where nothing grew because my older parked his car there.

my mom and dad were out with friends tonight. the same friends who happened upon me looking miserable, sitting on those barren strips of land a few days after my brother had died. i remember that. i remember the expressions on their faces when they saw me. i remember wondering how it must've looked to them, rounding the corner to our house and seeing me there on the grass with my legs drawn up and my arms tight around them, my chin resting on my knees. i remember hating that the grass would grow back. that so many signs of his having been here would be gone and so soon.

i stood on the driveway tonight, reveling in the glory of the last light of day, loving the way the world felt in that moment--the peace, the beauty, the quiet... the way the sun glows through the trees, gold against black... the way the air feels. i swear it changes at sunset. it's softer somehow.

but also wishing that my internal landscape was as content as my surroundings seemed to be--not all the time... not even half the time, just enough to make the bleaker days like these more bearable. wishing that the grass would grow over the spot where i'd too often parked my car because i hadn't really parked it there for weeks. wishing that it hadn't grown over those strips where he parked his.

i came back in and read some more.

and thought of saturday when i'd run into preble at the bookstore. my father had pulled me over to some table where someone he knew from way back when was having a book signing. he wanted me to meet her.

i've given up on writing for the moment. i don't entertain delusions of publication right now. i don't want to meet other people who have found some success in the field.

like i don't want to go to weddings and baby showers. i'll be the first to buy you a gift because i'm happy for you and shopping for those kinds of things brings me joy. but being there, surrounded by women who have walked down that aisle themselves or have plans of doing so... i don't want to mix with them. nor do i want to mingle with women who are growing round with the life they've made.

i ran into preble at the bookstore. and she asked me how i was. and i told her that i'd gotten my job back at the paper and i'm writing some for them, which is taking some getting used to because i'm rusty and don't have much confidence at the moment. that i'd been seeing a guy who'd said and done some ugly things to me.

when i told her the worst of what he'd said, she reacted the same way i'd reacted when i'd first heard it, the way most of my friends have, the way any woman should, really. and i'd told her that it wasn't so much that he'd said it, it was that i hadn't thought much of myself in my adolescence and hearing how ugly i am from someone who supposedly cares for me is hard to shrug off, given that.

and this woman who'd taught me senior english way back when, she said she'd just been thinking that i was gorgeous. god love her.

sunday, my mother and i went to a visitation; one of her friends had recently lost her husband.

on our way out, we ran into a handful of people we knew; a woman and her daughter and a couple. the woman had worked as the nurse at my junior high school. i'd probably gone to her office too much back then, faking physical sickness to get out of school and away from those who hurt me mentally. the woman was talking to someone else, so i struck up a conversation with the daughter and told her how much i appreciated how well her mother had cared for me. because i'd felt that she had cared. and i always like it when people pay compliments about my parents to me. it makes me proud of them. i'd thought the daughter might like to know i thought well of her mother.

the couple looked on as i did this. the man started joking about how i'd gone to see the nurse a lot and how it must be nice to go through life that way.

i wasn't amused. and it damned sure wasn't the time or place for ridicule. it ruined that moment for me. and instead of ignoring him and reiterating the compliment to the daughter, as i should've done, i put my defenses up and got louder and tried to act like i was amused. i'm never good at that, though. i can't act. i don't have that skill.

his daughter and i had gone to school together. her treatment of me over a decade was much like his had been in that moment, in every moment i run into him.

i wish i could encounter more people like joy preble in the world and fewer like that man.

this evening i thought of how hard it was for me to find ten people who would write for me for my blog last month for something that was a pretty big deal to me. i know people, so many people who, if they said i need ten people, they'd have help in ten seconds.

i am not one of them.

i can't help but think that my life is like that bleaker, lonelier, emptier version of the story i'd imagined for that crossing guard. that not that many people would notice my absence.

i'm trying really hard not to feel that way. i know. i know it's not true. but there're far too many people like that man from sunday's service in my world.

my mother's constantly marveling that i can't let go of things.

it would be easier if they could let go of me. i try. and someone's always there to remind me.